ຈໍາປາ ໔ ຕົ້ນ (ຜູກຕົ້ນ, ມັດ ໒)

ໃນກາລະຄັ້ງໜຶ່ງນານມາແລ້ວ ທີ່ເມືອງຈັກຂິນ ເກີດໄພໃຫຍ່ຂຶ້ນ ຄືມີຮຸ່ງໃຫຍ່ສອງຜົວເມຍ ມາຈັບຊາວເມືອງກິນເປັນອາຫານເປັນປະຈໍາ. ພະຍາຈັກຂິນໝົດທາງສູ້ຈິ່ງເອົາທິດາຂອງຕົນຊື່ວ່າ ປັດທຸມມາ ໄປເຊື່ອງໄວ້ໃນກອງຫຼວງໃນພະລາຊະວັງ ຈົນເມື່ອຮຸ້ງໃຫຍ່ໄດ້ກິນຊາວເມືອງໝົດແລ້ວ ຕໍ່ມາ ພະຍາຈຸນລະນີແຫ່ງເມືອງປັນຈາລະນະຄອນ ໄດ້ອອກລ່າສັດແລະຫຼົງເຂົ້າໄປໃນເມືອງຈັກຂິນ ເຫັນສະພາບເມືອງຮົກຮ້າງ ເຕັມໄປດ້ວຍຊາກກະດູກ ຈຶ່ງໄປຕີກອງ ໄດ້ຍິນສຽງນາງປັດທຸມມາຮ້ອງອອກມາ ຈຶ່ງເອົານາງອອກມາ ດັ່ງນັ້ນ ນາງຈຶ່ງມີອີກຊື່ວ່າ ນາງຄໍາກອງ. ພະຍາຈຸນລະນີໄດ້ຮັບເອົານາງເປັນມະເຫສີທີ່ສອງຮອງຈາກນາງອັກຄີ. ນາງອັກຄີມີຄວາມອິດສານາງຄໍາກອງ. ເມື່ອນາງຄໍາກອງປະສູດລູກ ເປັນ ໔ ກຸມມານ ຖືກນາງອັກຄີເອົາຜ້າມາປິດຕາ ແລ້ວເອົາລູກໝາມາປ່ຽນ ພ້ອມທັງໃສ່ຮ້າຍນາງວ່າ ມີສໍາພັນກັບໝາ. ພະຍາຈຸນລະນີໄດ້ເນລະເທດນາງອອກຈາກເມືອງໄປເປັນຄົນລ້ຽງໝູ. ສ່ວນກຸມມານທັງສີ່ຖືກນາງອັກຄີຈັບໃສ່ແພໄຫຼນ້ຳໄປຕິດຢູ່ສວນດອກໄມ້ ຍ່າຈຳສວນເອົາສົບກຸມມານທັງສີ່ໄປເຜົາ. ຕໍ່ມາ ຈຸດທີ່ເຜົາສົບນັ້ນເກີດມີຕົ້ນຈຳປາ ໔ ຕົ້ນ. ເມື່ອນາງອັກຄີສືບຮູ້ຄວາມຈິງ ຈຶ່ງໃຫ້ເສນາໄປຕັດແລະເອົາໄປໄຫຼນໍ້າ. ຕົ້ນຈຳປາໄຫຼໄປຮອດພະລືສີຕົນໜຶ່ງ ພະລືສີ່ຈິ່ງຊຸບຊີວິດໃຫ້ເປັນຄົນດັ່ງເກົ່າ ແລ້ສອນວິຊາອາຄົມຕ່າງໆໃຫ້. ກຸມມານທັງສີ່ໄດ້ທ່ຽວຮົບຊະນະຍັກ, ມານ ແລະມະນຸດ ໄດ້ເມືອງຂຶ້ນຫຼາຍເມືອງ ແລ້ວກັບໄປຫາຍ່າຈໍາສວນ. ຈາກນັ້ນ, ໄດ້ອອກຕິດຕາມຫາແມ່ຈົນພົບ ແລ້ວເຂົ້າເຝົ້າພະຍາຈຸນລະນີ ໄດ້ເລົ່າຄວາມຈິງໃຫ້ຊາບ ແລ້ວຢູ່ຄອງເມືອງຕໍ່ໄປ. ສ່ວນນາງອັກຄີ ຖືກລົງໂທດໃຫ້ທາດລ້ຽງໝູ. ຄໍາລົງທ້າຍ: ລານທີ່ ໓໓ ໜ້າ ໑: ພຸດທະສັງກາດ ໒໕໑໓ ປີຮ້ວງໃຄ້ ເດືອນ ໕ ແຮມ ໙ ຄໍ່າ ວັນ ໒ ຣິດຈະນາແລ້ວຍາມບາຍ ໒ ໂມງ ເຈົ້າມູນລະສັດທາ ໝາຍມີ ສາວຕັນ ໄດ້ສ້າງ ຈໍາປາ ໔ ຕົ້ນ ຜູກຕົ້ນ ມັດ ໒ ທານໄປຫາສາມີຜູ້ທີ່ລວງລັບໄປແລ້ວຊື່ວ່າ ທິດໝັ້ນ ແມ່ນວ່າ ວຽນວາຍແລະເກີດຢູ່ໃນຊາດໃດແລະພົບໃດ ຂໍຢ່າໄດ້ມີອຸປະສັກມາຂັດຂວາງ ແລະໄຮ້ຊັບອັບປັນຍາ ຂຶ້ນຊື່ວ່າ ຂີນໃຈ ເໝືອນດັ່ງໃນຊາດນີ້ຢ່າໄດ້ມີເລີຍ ຜູ້ຂ້າເປັນຜູ້ສ້າງ ຂໍກຸສົນສ່ວນນີ້ຈົ່ງເປັນອຸປະນິໄສປັດໄຈ ຂໍໃຫ້ໄດ້ເຂົ້າສູ່ວຽງແກ້ວນີຣະພານ ແດ່ກໍ່ຂ້າເທີ້ນ ສາທຸ ສາທຸ ອະນຸໂມທາມິ.

Once upon a time, in the city of Chakkhin, a great disaster occurred. That was, a couple of great falcons who came to catch people to eat as food regularly. The king of Chakkhin had no way to fight, so he brought his daughter named Patthumma to hide in a drum in the palace. Until when the great falcons ate all the people. Later, King Chunlani of Panchala had gone hunting and strayed into the city of Chakkhin. He saw a desolate city full of bones. So, he went to beat the drum and heard Nang Patthumma’s voice from inside the drum. Thus, he took her out. Therefore, she had another name, Nang Khamkong. King Chunlani accepted her as his second wife after Nang Akkhi. Nang Akki was very jealous of Nang Khamkong. When Nang Khamkong gave birth to 4 sons, she was blindfolded by Nang Akkhi. Then Nang Akkhi brought the puppies to change and accused her that she had a relationship with a dog. King Chunlani therefore exiled her from the city to be a pig herder. As for the four children who were caught by Nang Akkhi, put them in the water and then stuck in the flower garden. The grandmother of the garden took the four children's corpses to cremate. At the crematorium, four frangipani trees were formed. When Nang Akkhi found out the truth, she had her guards to cut out the trees and float away. The trees floated to a hermit. The hermit revived their lives as human beings. Then he taught them various magic spells. The four men went on a battle, defeating giants, devils and humans, gaining many colonies and then returned to the grandmother. They then set out to find their mother until they found her. They then went to see King Chunlani and told him the truth and lived in the city. As for Nang Akkhi, she was punished as a slave to raise pigs. Colophon: Folio 33 on the recto side: Buddhist Era (BE) 2513, a huang khai year, on the ninth day of the waning moon of the fifth lunar month, the second day of the week (Monday), the writing was accomplished at 2 p.m. The initiator, Sao Tan sponsored the making of this manuscript entitled Champa 4 ton (The four frangipani trees), fascicle 1, bundle 2 to dedicate to my late husband who already died, named Thit Man. Even if he are in the round of deaths and births in any worlds and lives, may he be free from any obstuggles, propertiless, wisdomless and troubles like this life. I am the sponsor of the making of this manuscript, may the results of this merit be disposition and condition to reach the crystal city of Nibbāna desfinitely. Amen, amen! I rejoice.

Extent: 1 palm-leaf manuscript containing 33 leaves.

Size and dimensions of original material: Hight 5.2 cm, width 52.2 cm, depth 1.3 cm.

Condition of original material: Good.

Alternative calendar and date: Lao, BE 2513, a huang khai year

Author(s)/Creator(s): Unidentified.

Scribe(s): Unidentified.

Original institution reference: Glass Cabinet No.5.