The next level of the murals are depicted in the four outer walls of the mandapa.
Showing 1 to 15 of 183 results
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Alagar kovil Kallalagar Outer Mandapa Wall South [17th Century]
The south wall of the outer mandapa there is continuous narration starts from the south eastern corner. Most of the paintings of the southern wall have been eroded and the remaining works depict the story of Rama’s departure to forest on the order of his f ... -
Alagar kovil Kallalagar Outer Mandapa Wall West [17th Century]
Minister sends a messenger to Bharatha. ... -
Alagar kovil Kallalagar Outer Mandapa Wall North [17th Century]
The northern wall of the outer mandapa is depicted by the scene of Ravana abducting Sita is depicted. Next to this is found the episode of Rama’s friendship with Sugriva and Hanuman and the killing of Vali by Rama. ... -
Alagar kovil Kallalagar Outer Mandapa Wall East [17th Century]
After the killing of Ravana the story again continued in the east wall of the outer mandapa. It narrates the episodes of Rama’s return to Ayothya along with Sita and Lakshmana. At Ayothya they were well received and blessed by the elders and public. The fi ... -
Ministers meeting Rishis. [17th Century]
Creators: Nayak Kings of Madurai. ... -
General view. [17th Century]
Creators: Nayak Kings of Madurai. ... -
General view. [17th Century]
Creators: Nayak Kings of Madurai. ... -
General view. [17th Century]
Creators: Nayak Kings of Madurai. ... -
Minister meeting with Dasaratha. [17th Century]
Creators: Nayak Kings of Madurai. ... -
Arrangements made for Rama’s Coronation. [17th Century]
Creators: Nayak Kings of Madurai. ... -
Royal procession. [17th Century]
Creators: Nayak Kings of Madurai. ... -
Maid servant Kuni. [17th Century]
Creators: Nayak Kings of Madurai. ... -
Maid servant Kuni receiving pearl necklace from Kaikeyi. [17th Century]
Creators: Nayak Kings of Madurai. ... -
Dasaratha pleasing Kaikeyi. [17th Century]
Creators: Nayak Kings of Madurai. ... -
Kaikeyi and Dasaratha. [17th Century]
Creators: Nayak Kings of Madurai. ...
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